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How to Write a Book Review: The Complete Guide

by Sue Weems | 23 comments

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If you've ever loved (or hated) a book, you may have been tempted to review it. Here's a complete guide to how to write a book review, so you can share your literary adventures with other readers more often! 

You finally reach the last page of a book that kept you up all night and close it with the afterglow of satisfaction and a tinge of regret that it’s over. If you enjoyed the book enough to stay up reading it way past your bedtime, consider writing a review. It is one of the best gifts you can give an author.

Regardless of how much you know about how to write a book review, the author will appreciate hearing how their words touched you.

But as you face the five shaded stars and empty box, a blank mind strikes. What do I say? I mean, is this a book really deserving of five stars? How did it compare to Dostoevsky or Angelou or Dickens?

Maybe there’s an easier way to write a book review.

Want to learn how to write a book from start to finish? Check out How to Write a Book: The Complete Guide .

The Fallacy of Book Reviews

Once you’ve decided to give a review, you are faced with the task of deciding how many stars to give a book.

When I first started writing book reviews, I made the mistake of trying to compare a book to ALL BOOKS OF ALL TIME. (Sorry for the all caps, but that’s how it felt, like a James Earl Jones voice was asking me where to put this book in the queue of all books.)

Other readers find themselves comparing new titles to their favorite books. It's a natural comparison. But is it fair?

This is honestly why I didn’t give reviews of books for a long time. How can I compare a modern romance or historical fiction war novel with Dostoevsky? I can’t, and I shouldn’t.

I realized my mistake one day as I was watching (of all things) a dog show. In the final round, they trotted out dogs of all shapes, colors, and sizes. I thought, “How can a Yorkshire Terrier compete with a Basset Hound?” As if he'd read my mind, the announcer explained that each is judged by the standards for its breed.

This was my “Aha!” moment. I have to take a book on its own terms. The question is not, “How does this book compare to all books I’ve read?” but “How well did this book deliver what it promised for the intended audience?”

A review is going to reflect my personal experience with the book, but I can help potential readers by taking a minute to consider what the author intended. Let me explain what I mean. 

How to Write a Book Review: Consider a Book’s Promise

A book makes a promise with its cover, blurb, and first pages. It begins to set expectations the minute a reader views the thumbnail or cover. Those things indicate the genre, tone, and likely the major themes.

If a book cover includes a lip-locked couple in flowing linen on a beach, and I open to the first page to read about a pimpled vampire in a trench coat speaking like Mr. Knightly about his plan for revenge on the entire human race, there’s been a breach of contract before I even get to page two. These are the books we put down immediately (unless a mixed-message beachy cover combined with an Austen vampire story is your thing).

But what if the cover, blurb, and first pages are cohesive and perk our interest enough to keep reading? Then we have to think about what the book has promised us, which revolves around one key idea: What is the core story question and how well is it resolved?

Sometimes genre expectations help us answer this question: a romance will end with a couple who finds their way, a murder mystery ends with a solved case, a thriller’s protagonist beats the clock and saves the country or planet.

The stories we love most do those expected things in a fresh or surprising way with characters we root for from the first page. Even (and especially!) when a book doesn’t fit neatly in a genre category, we need to consider what the book promises on those first pages and decide how well it succeeds on the terms it sets for itself.

When I Don’t Know What to Write

About a month ago, I realized I was overthinking how to write a book review. Here at the Write Practice we have a longstanding tradition of giving critiques using the Oreo method : point out something that was a strength, then something we wondered about or that confused us, followed by another positive.

We can use this same structure to write a simple review when we finish books. Consider this book review format: 

[Book Title] by [book author] is about ___[plot summary in a sentence—no spoilers!]___. I chose this book based on ________. I really enjoyed ________. I wondered how ___________. Anyone who likes ____ will love this book.

Following this basic template can help you write an honest review about most any book, and it will give the author or publisher good information about what worked (and possibly what didn’t). You might write about the characters, the conflict, the setting, or anything else that captured you and kept you reading.

As an added bonus, you will be a stronger reader when you are able to express why you enjoyed parts of a book (just like when you critique!). After you complete a few, you’ll find it gets easier, and you won’t need the template anymore.

What if I Didn’t Like It?

Like professional book reviewers, you will have to make the call about when to leave a negative review. If I can’t give a book at least three stars, I usually don’t review it. Why? If I don’t like a book after a couple chapters, I put it down. I don’t review anything that I haven’t read the entire book.

Also, it may be that I’m not the target audience. The book might be well-written and well-reviewed with a great cover, and it just doesn’t capture me. Or maybe it's a book that just isn't hitting me right now for reasons that have nothing to do with the book and everything to do with my own reading life and needs. Every book is not meant for every reader.

If a book kept me reading all the way to the end and I didn’t like the ending? I would probably still review it, since there had to be enough good things going on to keep me reading to the end. I might mention in my review that the ending was less satisfying than I hoped, but I would still end with a positive.

How to Write a Book Review: Your Turn

As writers, we know how difficult it is to put down the words day after day. We are typically voracious readers. Let’s send some love back out to our fellow writers this week and review the most recent title we enjoyed.

What was the last book you read or reviewed? Do you ever find it hard to review a book? Share in the comments .

Now it's your turn. Think of the last book you read. Then, take fifteen minutes to write a review of it based on the template above. When you're done, share your review in the Pro Practice Workshop . For bonus points, post it on the book's page on Amazon and Goodreads, too!

Don't forget to leave feedback for your fellow writers! What new reads will you discover in the comments?

Sue Weems is a writer, teacher, and traveler with an advanced degree in (mostly fictional) revenge. When she’s not rationalizing her love for parentheses (and dramatic asides), she follows a sailor around the globe with their four children, two dogs, and an impossibly tall stack of books to read. You can read more of her writing tips on her website .

23 Comments

The Ice Dragon by George R.R. Martin is about a girl that shows no emotion befriending a ice dragon.

I chose this book based on the cover that had a little girl riding a ice dragon, and wondered what is about.

I really enjoyed the interaction the little girl had with the dragon.

I wondered how how the girl’s bond with the dragon.

Anyone who likes a coming of age story set in a fantasy will love this book.

Thanks for sharing your practice, Azure!

You’re welcome.

A interesting, at times perplexing, subject! And one on my mind lately,as I’ve agreed to do a few. I do enjoy giving reviews and am delighted when I can say, “This was a great book!” Or even, “I enjoyed this book.” It gets perplexing when I agree to review a book — and simply don’t like it. Then what to say? I hate to disappoint the writer but I’ve promised to give my honest opinion.

I’ve found some books mediocre and yet I see a dozen other reviewers saying “A great story!” Tastes do vary. But when there are obvious flaws I tend to skip all the best-friend-and-cousin reviewers and find the first person who says, “This writer has a problem with…” Usually there’ll be a number of reviewers who spot the same problems I do.

I like upbeat main characters, but not aggressive, belligerent, and/or self-centered ones. I like to meet in a story the kind of people I’d like to meet in real life— not people I’d avoid if possible. I recently read a book where the main character came across as insipid and the story only mildly interesting. Other reviewers said it was great and I know for this specific audience — readers who want a certain slant to a story — it was quite suitable. So I tried to cut the book some slack. Everyone has their limit as to how much blood and gore, smooching and snuggling, they are willing to read about.

Once I agreed to review a book and would have tossed it after the first chapter — for several reasons. A lot of “writer inserting facts for reader’s benefit”; teach/preach paragraphs; excess of description; attitudes of MCs. Once it’s live on seller’s sites like Amazon, what can you say? The one thing good it had going for it was the story line or theme. With a pro editor’s help it could have been a great story.

As for a review, one book I read lately was “A Clue for the Puzzle Lady” by Parnell Hall. It’s one of those “Stayed up half the night to finish it” books; I think anyone who likes a compelling cozy mystery would probably like it. Downside: I didn’t care for the “Puzzle Lady.” She’s a lush, hangs out at the bar getting sloshed. The upside: her sensible niece has a starring role —trying to keep her aunt on the straight-and-narrow and the mystery keeps you guessing until the end.

Christine, Thanks for sharing your insight! It sounds like you are approached often to review new books. It does make it tricky if it’s a request, especially outside your own preferences. Thanks for chiming in about your process, as I’m sure others will appreciate the perspective too. I’ll have to take a look at the Puzzle Lady– I do enjoy cozy mysteries. Sue

Here’s another cozy mystery book review in case you’re interested. I’m not approached by writers that often, but there are the Story Cartel, Book Bub and Goodreads, all sites where authors ask for review volunteers.

Reel Estate Ripoff by Renee Pawlish

The detective Reed Ferguson is a fan of Humphry Bogart, movie memorabilia of that era, and fancies himself a bit of a Sam Slade. Though not your super-sleuth, rather inept at times, he’s a likeable character. Told in first person, the story has a Philip Marlowe tone to it, but much tamer. Dialogue and story line are well done, the story well plotted and believable. I’d gladly read more stories about this particular gumshoe.

If you like cozy mystery books, I’ll send you a list later, Sue. Love them too and I’ve met many authors who write in this genre. Back on topic– you inspire me again to add some reviews to my Blog. I have been reading and writing many middle grade mysteries for a project! My latest favorite: “The World’s Greatest Detective” by Caroline Carson (who I hope to meet tomorrow in Arlington, VA!) My 12 year old grandson borrowed it and finished it before I could. “It’s the best mystery I ever read, Grandma! You’ ll never guess the ending with unpredictable twists!” What better review could we read. The target audience and I both highly recommend this 2017 mystery.

Adding it to my stack, Beth. Thanks!

Not wanting to sound life an idiot, but willing to risk it here among friends: What exactly is a cozy mystery?

Glad you asked! It’s a subgenre of mystery. The best examples of cozy mysteries are those by Agatha Christie. They usually avoid profanity, excessive gore/ violence, and sex. They focus more on the puzzle, sleuth, and their smaller world. Hope that helps!

Thanks, Sue.

Wonderful article. The first I have read by you. It especially gets those of us who don’t feel we have the formula down for review writing to be introduced to a form we can build upon with experience. You’ve kept it simple but you have given us the main ingredients needed for a good review. I printed this one off to look at the next few times I write reviews. Thank you.

Glad you found it helpful. Thanks for reading and commenting!

I haven’t gone into all this. It’s a matter of time, Joe. I gad about all over the place, not knowing where I am or where I’m going. Within weeks, I’ll be 87. I’ve books of my own that I’d like to see reviewed. Even sorting them out, however, even finding where any of them are, would be a time burden. You see the fix?

Hi Dave, You aren’t alone in feeling the press of time for getting your stories out into the world. May I gently offer this: start with finding and sorting one. If you can’t find it, write it anew. You’ve probably grown in time and perspective since you wrote the first draft, which will make for a stronger story. Good luck. I’m cheering you on!

This is an article for me, because I am happy to receive a rating. I haven’t sold many books. But, at least some thinks that it was worth the time to read. That was refreshing. And, I think I wrote two reviews, so far. It was on Amazon.com. Thank you.

You’re welcome!

Hi, Sue. Thanks for the helpful advice. I did a review on Amazon for the first of a 7-part thriller titled ‘Mosh Pit (The Rose Garden Incident)’ by Michael Hiebert. [Here it is.]

“5.0 out of 5 stars Advance copy review. By A fellow author on September 18, 2016 Format: Kindle Edition I Recommend This Book Strongly

I enjoyed reading this first part of the thriller. The author’s opening chapter/prologue was fast paced, and set me in the middle of the inciting incident along with two of the main characters. After that thrilling opening, I felt the ensuing chapters moved at a more leisurely pace, and was about to grade them as less praiseworthy when I watched a lecture by Brandon Sanderson on YouTube about building three dimensional characters and realised Michael Hiebert had done exactly that by introducing the reader to the minutiae of other characters who had parts to play in the development of the story. So, instead of cardboard cutouts of bland stock characters, the author shows us real people with real concerns that the reader can relate to.and actually care about. I look forward to reading the rest of this intriguing thriller, and highly recommend it to all lovers of well-written, and well-crafted thrillers.”

I also reviewed Part 2 of the series, but that review is too long to post here.

Footnote: The author, Michael Hiebert, was so pleased with my reviews, he recently asked me to beta-read a short story collection he plans to publish in November.

Great review, John! I like how you shared a bit of your process as a reader too, in recognizing what the writer was doing with their characterization. Thanks!

Thank you, Sue.

Five out of five stars When I picked up a copy of “The Girl with All the Gifts,” by M R Carey, at the used book store, I somehow had it in my head that it was a YA dystopian novel along the lines of “Divergent” or “The Hunger Games.” While I would definitely say that I was not right about that, I wouldn’t say that I was completely wrong. I was, however, completely unprepared for a zombie novel–which is a good thing, cause I wouldn’t have read it, and I’m glad I did. Think “The Walking Dead” meets (why do I want to say ‘The Curious Incident of the Dog in the Night”?) “Peter Pan.” I really enjoyed seeing things from, the main character, Melanie’s point of view. Her limited knowledge of her own situation was intriguing, to say the least (and probably why I thought of “The Curious Incident”). I was a bit disappointed when the POV changed to another character’s, but, as the novel progressed, I found myself sympathizing with nearly all the characters–with one exception, and I’ll leave that for you to ponder when you read it. I wondered how much of the science was real, but not enough for me to research it myself. Although, based on other reviews, I guess most of the science about the fungus is real. I also wondered about the fate of the remaining ‘lost boys’ of the cities. If you liked…. well, I don’t know. I’m not typically a fan of things zombie, so I don’t have a comparison, but the book was somewhat similar to “Divergent” and “The Hunger Games” in that the main character goes through a hellluva time and comes out the other side with a plan for her future.

“Tuesdays with Morrie” by Mitch Albom is a true story about how one man found meaning in life when his doctors gave him a death sentence. Morrie was a college professor who passed on his new found wisdom in the last year of his life to a favorite student, the author, who chronicled his professor’s perspectives on death and dying.

I chose this book because of its philosophical topic, and because it is so well written that the words just jump off the page.

Knowing we are all mortal beings, I especially liked the insights, the tidbits of wisdom imparted by the dying man. Death is a subject that few, if any of us, ever talk about seriously with friends and family. The subject of death is verboten. We deny its existence. And, if we are religious, we pretend we will not really die, but we deceive ourselves and think we will live on in some afterlife existence for all eternity. But the professor, Morrie, learns some valuable life lessons from his impending death, and Mitch Albom was gracious enough to capture them in this short but eminently readable book.

I really liked the book because it is timeless. This true story will impart serious life lessons for all future generations, and will help us gain perspectives on our lives and the relationships with those we love the most.

R. Allan Worrell

Sue, I’ve been meaning to come back since this was first posted to tell you thanks for a great article. I seldom review books for alllllll the reasons you listed. This is a perfect tool and I’ll surely use it. Cathy

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How to Write a Book Review: A Comprehensive Tutorial With Examples

You don’t need to be a literary expert to craft captivating book reviews. With one in every three readers selecting books based on insightful reviews, your opinions can guide fellow bibliophiles toward their next literary adventure.

Learning how to write a book review will not only help you excel at your assigned tasks, but you’ll also contribute valuable insights to the book-loving community and turn your passion into a professional pursuit.

In this comprehensive guide,  PaperPerk  will walk you through a few simple steps to master the art of writing book reviews so you can confidently embark on this rewarding journey.

What is a Book Review?

A book review is a critical evaluation of a book, offering insights into its content, quality, and impact. It helps readers make informed decisions about whether to read the book.

Writing a book review as an assignment benefits students in multiple ways. Firstly, it teaches them how to write a book review by developing their analytical skills as they evaluate the content, themes, and writing style .

Secondly, it enhances their ability to express opinions and provide constructive criticism. Additionally, book review assignments expose students to various publications and genres, broadening their knowledge.

Furthermore, these tasks foster essential skills for academic success, like critical thinking and the ability to synthesize information. By now, we’re sure you want to learn how to write a book review, so let’s look at the book review template first.

Table of Contents

Book Review Template

How to Write a Book Review- A Step-by-Step Guide

Check out these 5 straightforward steps for composing the best book review.

Step 1: Planning Your Book Review – The Art of Getting Started

You’ve decided to take the plunge and share your thoughts on a book that has captivated (or perhaps disappointed) you. Before you start book reviewing, let’s take a step back and plan your approach. Knowing how to write a book review that’s both informative and engaging is an art in itself.

Choosing Your Literature

First things first, pick the book you want to review. This might seem like a no-brainer, but selecting a book that genuinely interests you will make the review process more enjoyable and your insights more authentic.

Crafting the Master Plan

Next, create an  outline  that covers all the essential points you want to discuss in your review. This will serve as the roadmap for your writing journey.

The Devil is in the Details

As you read, note any information that stands out, whether it overwhelms, underwhelms, or simply intrigues you. Pay attention to:

• The characters and their development
• The plot and its intricacies
• Any themes, symbols, or motifs you find noteworthy

Remember to reserve a body paragraph for each point you want to discuss.

The Key Questions to Ponder

When planning your book review, consider the following questions:

• What’s the plot (if any)? Understanding the driving force behind the book will help you craft a more effective review.
• Is the plot interesting? Did the book hold your attention and keep you turning the pages?
• Are the writing techniques effective? Does the author’s style captivate you, making you want to read (or reread) the text?
• Are the characters or the information believable? Do the characters/plot/information feel real, and can you relate to them?
• Would you recommend the book to anyone? Consider if the book is worthy of being recommended, whether to impress someone or to support a point in a literature class.
• What could be improved? Always keep an eye out for areas that could be improved. Providing constructive criticism can enhance the quality of literature.

Step 2 – Crafting the Perfect Introduction to Write a Book Review

In this second step of “how to write a book review,” we’re focusing on the art of creating a powerful opening that will hook your audience and set the stage for your analysis.

Identify Your Book and Author

Begin by mentioning the book you’ve chosen, including its  title  and the author’s name. This informs your readers and establishes the subject of your review.

Ponder the Title

Next, discuss the mental images or emotions the book’s title evokes in your mind . This helps your readers understand your initial feelings and expectations before diving into the book.

Judge the Book by Its Cover (Just a Little)

Take a moment to talk about the book’s cover. Did it intrigue you? Did it hint at what to expect from the story or the author’s writing style? Sharing your thoughts on the cover can offer a unique perspective on how the book presents itself to potential readers.

Present Your Thesis

Now it’s time to introduce your thesis. This statement should be a concise and insightful summary of your opinion of the book. For example:

“Normal People” by Sally Rooney is a captivating portrayal of the complexities of human relationships, exploring themes of love, class, and self-discovery with exceptional depth and authenticity.

Ensure that your thesis is relevant to the points or quotes you plan to discuss throughout your review.

Incorporating these elements into your introduction will create a strong foundation for your book review. Your readers will be eager to learn more about your thoughts and insights on the book, setting the stage for a compelling and thought-provoking analysis.

How to Write a Book Review: Step 3 – Building Brilliant Body Paragraphs

You’ve planned your review and written an attention-grabbing introduction. Now it’s time for the main event: crafting the body paragraphs of your book review. In this step of “how to write a book review,” we’ll explore the art of constructing engaging and insightful body paragraphs that will keep your readers hooked.

Summarize Without Spoilers

Begin by summarizing a specific section of the book, not revealing any major plot twists or spoilers. Your goal is to give your readers a taste of the story without ruining surprises.

Support Your Viewpoint with Quotes

Next, choose three quotes from the book that support your viewpoint or opinion. These quotes should be relevant to the section you’re summarizing and help illustrate your thoughts on the book.

Analyze the Quotes

Write a summary of each quote in your own words, explaining how it made you feel or what it led you to think about the book or the author’s writing. This analysis should provide insight into your perspective and demonstrate your understanding of the text.

Structure Your Body Paragraphs

Dedicate one body paragraph to each quote, ensuring your writing is well-connected, coherent, and easy to understand.

For example:

• In  Jane Eyre , Charlotte Brontë writes, “I am no bird; and no net ensnares me.” This powerful statement highlights Jane’s fierce independence and refusal to be trapped by societal expectations.
• In  Normal People , Sally Rooney explores the complexities of love and friendship when she writes, “It was culture as class performance, literature fetishized for its ability to take educated people on false emotional journeys.” This quote reveals the author’s astute observations on the role of culture and class in shaping personal relationships.
• In  Wuthering Heights , Emily Brontë captures the tumultuous nature of love with the quote, “He’s more myself than I am. Whatever our souls are made of, his and mine are the same.” This poignant line emphasizes the deep, unbreakable bond between the story’s central characters.

By following these guidelines, you’ll create body paragraphs that are both captivating and insightful, enhancing your book review and providing your readers with a deeper understanding of the literary work. 

How to Write a Book Review: Step 4 – Crafting a Captivating Conclusion

You’ve navigated through planning, introductions, and body paragraphs with finesse. Now it’s time to wrap up your book review with a  conclusion that leaves a lasting impression . In this final step of “How to write a Book Review,” we’ll explore the art of writing a memorable and persuasive conclusion.

Summarize Your Analysis

Begin by summarizing the key points you’ve presented in the body paragraphs. This helps to remind your readers of the insights and arguments you’ve shared throughout your review.

Offer Your Final Conclusion

Next, provide a conclusion that reflects your overall feelings about the book. This is your chance to leave a lasting impression and persuade your readers to consider your perspective.

Address the Book’s Appeal

Now, answer the question: Is this book worth reading? Be clear about who would enjoy the book and who might not. Discuss the taste preferences and circumstances that make the book more appealing to some readers than others.

For example:  The Alchemist is a book that can enchant a young teen, but those who are already well-versed in classic literature might find it less engaging.

Be Subtle and Balanced

Avoid simply stating whether you “liked” or “disliked” the book. Instead, use nuanced language to convey your message. Highlight the pros and cons of reading the type of literature you’ve reviewed, offering a balanced perspective.

Bringing It All Together

By following these guidelines, you’ll craft a conclusion that leaves your readers with a clear understanding of your thoughts and opinions on the book. Your review will be a valuable resource for those considering whether to pick up the book, and your witty and insightful analysis will make your review a pleasure to read. So conquer the world of book reviews, one captivating conclusion at a time!

How to Write a Book Review: Step 5 – Rating the Book (Optional)

You’ve masterfully crafted your book review, from the introduction to the conclusion. But wait, there’s one more step you might consider before calling it a day: rating the book. In this optional step of “how to write a book review,” we’ll explore the benefits and methods of assigning a rating to the book you’ve reviewed.

Why Rate the Book?

Sometimes, when writing a professional book review, it may not be appropriate to state whether you liked or disliked the book. In such cases, assigning a rating can be an effective way to get your message across without explicitly sharing your personal opinion.

How to Rate the Book

There are various rating systems you can use to evaluate the book, such as:

• A star rating (e.g., 1 to 5 stars)
• A numerical score (e.g., 1 to 10)
• A letter grade (e.g., A+ to F)

Choose a rating system that best suits your style and the format of your review. Be consistent in your rating criteria, considering writing quality, character development, plot, and overall enjoyment.

Tips for Rating the Book

Here are some tips for rating the book effectively:

• Be honest: Your rating should reflect your true feelings about the book. Don’t inflate or deflate your rating based on external factors, such as the book’s popularity or the author’s reputation.
• Be fair: Consider the book’s merits and shortcomings when rating. Even if you didn’t enjoy the book, recognize its strengths and acknowledge them in your rating.
• Be clear: Explain the rationale behind your rating so your readers understand the factors that influenced your evaluation.

Wrapping Up

By including a rating in your book review, you provide your readers with additional insight into your thoughts on the book. While this step is optional, it can be a valuable tool for conveying your message subtly yet effectively. So, rate those books confidently, adding a touch of wit and wisdom to your book reviews.

Additional Tips on How to Write a Book Review: A Guide

In this segment, we’ll explore additional tips on how to write a book review. Get ready to captivate your readers and make your review a memorable one!

Hook ’em with an Intriguing Introduction

Keep your introduction precise and to the point. Readers have the attention span of a goldfish these days, so don’t let them swim away in boredom. Start with a bang and keep them hooked!

Embrace the World of Fiction

When learning how to write a book review, remember that reviewing fiction is often more engaging and effective. If your professor hasn’t assigned you a specific book, dive into the realm of fiction and select a novel that piques your interest.

Opinionated with Gusto

Don’t shy away from adding your own opinion to your review. A good book review always features the writer’s viewpoint and constructive criticism. After all, your readers want to know what  you  think!

Express Your Love (or Lack Thereof)

If you adored the book, let your readers know! Use phrases like “I’ll definitely return to this book again” to convey your enthusiasm. Conversely, be honest but respectful even if the book wasn’t your cup of tea.

Templates and Examples and Expert Help: Your Trusty Sidekicks

Feeling lost? You can always get help from formats, book review examples or online  college paper writing service  platforms. These trusty sidekicks will help you navigate the world of book reviews with ease. 

Be a Champion for New Writers and Literature

Remember to uplift new writers and pieces of literature. If you want to suggest improvements, do so kindly and constructively. There’s no need to be mean about anyone’s books – we’re all in this literary adventure together!

Criticize with Clarity, Not Cruelty

When adding criticism to your review, be clear but not mean. Remember, there’s a fine line between constructive criticism and cruelty. Tread lightly and keep your reader’s feelings in mind.

Avoid the Comparison Trap

Resist the urge to compare one writer’s book with another. Every book holds its worth, and comparing them will only confuse your reader. Stick to discussing the book at hand, and let it shine in its own light.

Top 7 Mistakes and How to Avoid Them

Writing a book review can be a delightful and rewarding experience, especially when you balance analysis, wit, and personal insights. However, some common mistakes can kill the brilliance of your review. 

In this section of “How to write a book review,” we’ll explore the top 7 blunders writers commit and how to steer clear of them, with a dash of  modernist literature  examples and tips for students writing book reviews as assignments.

Succumbing to the Lure of Plot Summaries

Mistake: Diving headfirst into a plot summary instead of dissecting the book’s themes, characters, and writing style.

Example: “The Bell Jar chronicles the life of a young woman who experiences a mental breakdown.”

How to Avoid: Delve into the book’s deeper aspects, such as its portrayal of mental health, societal expectations, and the author’s distinctive narrative voice. Offer thoughtful insights and reflections, making your review a treasure trove of analysis.

Unleashing the Spoiler Kraken

Mistake: Spilling major plot twists or the ending without providing a spoiler warning, effectively ruining the reading experience for potential readers.

Example: “In Metamorphosis, the protagonist’s transformation into a monstrous insect leads to…”

How to Avoid: Tread carefully when discussing significant plot developments, and consider using spoiler warnings. Focus on the impact of these plot points on the overall narrative, character growth, or thematic resonance.

Riding the Personal Bias Express

Mistake: Allowing personal bias to hijack the review without providing sufficient evidence or reasoning to support opinions.

Example: “I detest books about existential crises, so The Sun Also Rises was a snoozefest.”

How to Avoid: While personal opinions are valid, it’s crucial to back them up with specific examples from the book. Discuss aspects like writing style, character development, or pacing to support your evaluation and provide a more balanced perspective.

Wielding the Vague Language Saber

Mistake: Resorting to generic, vague language that fails to capture the nuances of the book and can come across as clichéd.

Example: “This book was mind-blowing. It’s a must-read for everyone.”

How to Avoid: Use precise and descriptive language to express your thoughts. Employ specific examples and quotations to highlight memorable scenes, the author’s unique writing style, or the impact of the book’s themes on readers.

Ignoring the Contextualization Compass

Mistake: Neglecting to provide context about the author, genre, or cultural relevance of the book, leaving readers without a proper frame of reference.

Example: “This book is dull and unoriginal.”

How to Avoid: Offer readers a broader understanding by discussing the author’s background, the genre conventions the book adheres to or subverts, and any societal or historical contexts that inform the narrative. This helps readers appreciate the book’s uniqueness and relevance.

Overindulging in Personal Preferences

Mistake: Letting personal preferences overshadow an objective assessment of the book’s merits.

Example: “I don’t like stream-of-consciousness writing, so this book is automatically bad.”

How to Avoid: Acknowledge personal preferences but strive to evaluate the book objectively. Focus on the book’s strengths and weaknesses, considering how well it achieves its goals within its genre or intended audience.

Forgetting the Target Audience Telescope

Mistake: Failing to mention the book’s target audience or who might enjoy it, leading to confusion for potential readers.

Example: “This book is great for everyone.”

How to Avoid: Contemplate the book’s intended audience, genre, and themes. Mention who might particularly enjoy the book based on these factors, whether it’s fans of a specific genre, readers interested in character-driven stories, or those seeking thought-provoking narratives.

By dodging these common pitfalls, writers can craft insightful, balanced, and engaging book reviews that help readers make informed decisions about their reading choices.

These tips are particularly beneficial for students writing book reviews as assignments, as they ensure a well-rounded and thoughtful analysis.!

Many students requested us to cover how to write a book review. This thorough guide is sure to help you. At Paperperk, professionals are dedicated to helping students find their balance. We understand the importance of good grades, so we offer the finest writing service , ensuring students stay ahead of the curve. So seek expert help because only Paperperk is your perfect solution!

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• Library of Congress
• Research Guides
• Main Reading Room

Finding Book Reviews Online

Sources for general book reviews.

• Introduction

General Inquiries : Ask a Librarian

Have a question? Need assistance? Use our online form to ask a librarian for help.

Chat with a librarian , Monday through Friday, 12-4pm Eastern Time (except Federal Holidays).

Before you start your search you should know the title and author of the book being reviewed. The date of publication will sometimes also be required. Some databases offer a search option to limit search results to book reviews. Where not present, adding a keyword search that includes the phrase "book review" should help. Reviews of popular books are typically published close to their publication dates; find them via book-related websites and indexes that cover general interest periodicals. Reviews of scholarly books may take months to appear in scholarly journals. For more databases that cover scholarly journals, visit the Library of Congress E-Resources Online Catalog .

• Free Web Resources
• Book Review Databases
• Selected General Databases
• Historical Book Review Databases

Free contemporary book reviews are widely available on the web. The sources listed below are some of the most common places to find them.

• Amazon.com External Amazon.com offers book reviews of many of the book titles it sells. Some reviews are by professionals; many are by readers. Find a book and scroll down its entry to read the reviews, where present. For balance, try a variety of positive and negative reviews.
• Barnes & Noble External Barnes and Noble includes professional book reviews with the descriptions of many of the books it sells.
• Complete Review External The Complete Review contains a selected listing of old and new book titles with reviews and links to more reviews.
• GoodReads Reviews External GoodReads offers millions of book reviews contributed by its community members which include librarians, journalists, and many other readers.
• Kirkus Reviews External Kirkus Reviews includes reviews new and forthcoming fiction, non-fiction and Young Adult (YA) books. Kirkus also has a print magazine available by subscription.
• Library Journal Reviews+ External Library Journal reviews books on a wide array of popular and scholarly topics expected to interest a broad spectrum of libraries. Reviews from the most recent 24 months are free online.
• LibraryThing Reviews External LibraryThing Reviews are written by members of the LibraryThing community of readers and book collectors. Reviews are grouped in various ways, including by genre or may be searched by author or title.
• New York Times Book Review (free selections) External A free collection of book reviews published in The New York Times since 1981. A more extensive paid subscription database is also available.
• School Library Journal Reviews+ External Features reviews from School Library Journal from the most recent twenty-four months. Browse by genre, grade level, award winners and other criteria.

Subscription databases are great sources for current and recent book reviews. Many also include historical coverage.

• Children's Literature Review, Vols 1-216

These more general subscription databases cover a wide array of periodicals which include book reviews. Using the phrase "book review" in your search can be effective if no check-box option for book reviews is available in the database's search function.

Some researchers seek reviews that are decades or even centuries old, for example, to see how a book written in the 19th Century was reviewed when it was first released. This listing includes general and book review resources. For the general sources, be sure to Include the phrase "book review" in your search if no check-box option for book reviews is available.

• African American Newspapers, 1827-1998 (Series 1 and Series 2)
• American Business: Agricultural Newspapers
• American Business: Mercantile Newspapers
• American Gazettes: Newspapers of Record
• American Politics: Campaign Newspapers
• American Religion: Denominational Newspapers
• Early American Newspapers, Series 1, 1690-1876: From Colonies to Nation
• Early American Newspapers, Series 2, 1758-1900: The New Republic
• Early American Newspapers, Series 3, 1783-1922: From Farm to City
• Early American Newspapers, Series 4, 1756-1922: The Rise of Industry
• Early American Newspapers, Series 5, 1777-1922: An Emerging World Power
• Early American Newspapers, Series 6, 1741-1922: Compromise and Disunion
• Early American Newspapers, Series 7: 1773-1922: Reform and Retrenchment
• Early American Newspapers, Series 8, 1844-1922: A Nation in Transition
• Early American Newspapers, Series 9, 1832-1922: Protest and Prosperity
• Early American Newspapers, Series 11, 1803-1899: From Agrarian Republic to World Power
• Early American Newspapers, Series 12, 1821-1900: The Specialized Press
• Early American Newspapers, Series 13, 1803-1916: The American West
• Early American Newspapers, Series 14, 1807-1880: The Expansion of Urban America
• Early American Newspapers, Series 15, 1822-1879: Immigrant Communities
• Early American Newspapers, Series 16, 1800-1877: Industry and the Environment
• Early American Newspapers Series 17, 1844-1922: American Heartland
• Early American Newspapers, Series 18, 1825-1879: Racial Awakening in the Northeast

C19 Index draws on the strength of established indexes such as the Nineteenth Century Short Title Catalogue (NSTC), The Wellesley Index, Poole's Index, Periodicals Index Online and the Cumulative Index to Niles' Register 18111849 to create integrated bibliographic coverage of over 1.7 million books and official publications, 70,000 archival collections and 20.9 million articles published in over 2,500 journals, magazines and newspapers. C19 Index now provides integrated access to 13 bibliographic indexes, including more than three million records from British Periodicals Collections I and II, together with the expanded online edition of the Dictionary of Nineteenth-Century Journalism (DNCJ).

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• Last Updated: May 31, 2024 8:50 AM
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Blog – Posted on Wednesday, Apr 03

How to write a book review in 3 steps.

If the idea of reading for free — or even getting paid to read — sounds like a dream come true, remember that it isn’t a pipe dream. There are many places aspiring book reviewers can read books for free, such as Reedsy Discovery — a new platform for reviewing indie books. Of course, if you’re giving serious thought to becoming a book reviewer, your first step should be learning how to write a book review. To that end, this post covers all the basics of literary criticism. Let’s get started!

The three main steps of writing a book review are simple:

• Provide a summary: What is story about? Who are the main characters and what is the main conflict? 
• Present your evaluation: What did you think of the book? What elements worked well, and which ones didn’t? 
• Give your recommendation: Would you recommend this book to others? If so, what kinds of readers will enjoy it?

You can also download our free book review templates and use it as a guide! Otherwise, let’s take a closer look at each element.

Pro-tip : But wait! How are you sure if you should become a book reviewer in the first place? If you're on the fence, or curious about your match with a book reviewing career, take our quick quiz:

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How to write a review of a book

Step 1. provide a summary.

Have you ever watched a movie only to realize that all the good bits were already in the trailer? Well, you don’t want the review to do that. What you do want the summary to do is reveal the genre, theme, main conflict, and main characters in the story — without giving away spoilers or revealing how the story ends.

A good rule of thumb is not to mention anything that happens beyond the midpoint. Set the stage and give readers a sense of the book without explaining how the central issue is resolved.

Emily W. Thompson's review of The Crossing :

In [Michael] Doane’s debut novel, a young man embarks on a journey of self-discovery with surprising results.

An unnamed protagonist (The Narrator) is dealing with heartbreak. His love, determined to see the world, sets out for Portland, Oregon. But he’s a small-town boy who hasn’t traveled much. So, the Narrator mourns her loss and hides from life, throwing himself into rehabbing an old motorcycle. Until one day, he takes a leap; he packs his bike and a few belongings and heads out to find the Girl. Read more...

Here are a few more reviews with well-written summaries for you to check out. The summary tend to be the longest part of the book review, so we won’t turn this post into a novel itself by pasting them all here: Le Cirque Navire reviewed by Anna Brill, The Heart of Stone reviewed by Kevin R. Dickinson, Fitting Out: The Friendship Experiment reviewed by Lianna Albrizio.

Non-fiction summary tip: The primary goal of a non-fiction summary is to provide context: what problems or issues has the book spotted, and how does it go about addressing them? Be sure to mention the authors of the title and what experience or expertise they bring to the title. Check Stefan Kløvning’s review of Creativity Cycling for an example of a summary that establishes the framework of the book within the context of its field.

Step 2. Present your evaluation

While you should absolutely weave your own personal take of a book into the review, your evaluation shouldn’t only be based on your subjective opinion. Along with presenting how you reacted to the story and how it affected you, you should also try to objectively critique the stronger and weaker elements of the story, and provide examples from the text to back up your points.

To help you write your evaluation, you should record your reactions and thoughts as you work your way through a novel you’re planning on reviewing. Here are some aspects of the book to keep in mind as you do.

Your evaluation might focus heartily on the book’s prose:

Donald Barker's review of Mercenary : 

Such are the bones of the story. But, of course, it is the manner in which Mr Gaughran puts the bones back together and fills them with life that makes “Mercenary” such a great read. The author’s style seems plain; it seems straightforward and even simple. But an attempt at imitation or emulation quickly proves that simple it is not. He employs short, punchy sentences that generate excellent dialogue dripping with irony, deadpan humour and wit. This, mixed with good descriptive prose, draws the characters – and what characters they are – along with the tumultuous events in which they participated amidst the stinking, steaming heat of the South American jungle, out from the past to the present; alive, scheming, drinking, womanising and fighting, onto the written page.

You can give readers a sense of the book by drawing comparisons to other well-known titles or authors:

Laura Hartman's review of The Mystery of Ruby's Mistletoe :

Reading Ms. Donovan’s book is reminiscent to one of my favorite authors, Dame Agatha Christie. Setting up the suspects in a snowbound house, asking them to meet in the drawing room and the cleverly satisfying conclusion was extremely gratifying. I can picture Miss Marple and Hercule Poirot nodding at Ms. Donovan saying “Well done!”

Not everyone’s tastes are the same, and you can always acknowledge this by calling out specific story elements in your evaluation: 

Kevin R. Dickinson's review of The Heart of Stone :

Whether you enjoy Galley’s worldbuilding will depend heavily on preference. Galley delivers information piecemeal, letting the characters, not the author, navigate the reader through Hartlund. A notable example is the magic system, an enigmatic force that lacks the ridge structures of, say, a Brandon Sanderson novel. While the world’s magical workings are explained, you only learn what the characters know and many mysteries remain by the end. Similar choices throughout make the world feel expansive and authentic.

Non-fiction evaluation tip: A book’s topic is only as compelling as its supporting arguments. Your evaluation of a nonfiction book should address that: how clearly and effectively are the points communicated? Turn back to Stefan’s critique for an example of a non-fiction critique that covers key takeaways and readability, without giving away any “big reveals.”

Step 3. Give your recommendation 

At the end of the day, your critique needs to answer this question: is this a book you would (or wouldn’t) recommend to other readers? You might wrap up by comparing it to other books in the same genre, or authors with similar styles, such as: “Fans of so-and-so will enjoy this book.” 

Let’s take a look at a few more tips:

You don’t need to write, “I recommend this book” — you can make it clear by highlighting your favorable opinion:

Following in the footsteps of Jack Kerouac and William Least Heat-Moon, Doane offers a coming of age story about a man finding himself on the backroads of America. Doane’s a gifted writer with fluid prose and insightful observations, using The Narrator’s personal interactions to illuminate the diversity of the United States.

Despite his flaws, it’s a pleasure to accompany The Narrator on his physical and emotional journey. The unexpected ending is a fitting denouement to an epic and memorable road trip.

Add more punch to your rating by mentioning what kind of audience will or won’t enjoy the book:

Charleigh Aleyna Reid's review of The King of FU :

I would recommend this book to anyone who grew up in the 90’s and would like to reminisce about the time, someone who is interested to see what it was like to be a 90’s kid, or perhaps anyone who is looking for a unique, funny story about someone’s life.

Unless you found the title absolutely abhorrent, a good way to balance out a less favorable book review it to share what you did like about the book — before ultimately stating why you wouldn’t recommend the novel:

Nicola O's review of Secrets of the Sea Lord :

Overall, there are plenty of enjoyable elements in this story and fans of Atlantis and mer mythology should give it a try. Despite this, it does not rise above a three-star rating, and while I had some difficulty pinning down why this is, I concluded that it comes from a surprisingly unsophisticated vocabulary. There are a couple of graphic sex scenes, which is absolutely fine in a paranormal romance, but if they were removed, I could easily imagine this as an appealing story for middle-schoolers.

Non-fiction recommendation tip: As with fiction book reviews, share why you did or didn’t enjoy the title. However, in one of the starkest divergences from fiction book reviews it’s more important than ever that you mention your expectations coming into the non-fiction book. For instance, if you’re a cow farmer who’s reading a book on the benefits of becoming a vegetarian, you’re coming in with a large and inherent bias that the book will struggle to alter. So your recommendation should cover your thoughts about the book, while clearly taking account your perspective before you started reading. Let’s look once more at Stefan’s review for an example of a rating that includes an explanation of the reviewer’s own bias.

Bonus tips for writing a book review

Let’s wrap up with a few final tips for writing a compelling review.

• Remember, this isn’t a book report. If someone wants the summary of a book, they can read the synopsis. People turn to book reviews for a fellow reader’s take on the book. And for that reason...
• Have an opinion. Even if your opinion is totally middle-of-the-line — you didn’t hate the book but you didn’t love it either — state that clearly, and explain why.
• Make your stance clear from the outset. Don’t save your opinion just for the evaluation/recommendation. Weave your thoughts about the book into your summary as well, so that readers have an idea of your opinion from the outset.
• Back up your points. Instead of just saying, “the prose was evocative” — show readers by providing an actual passage that displays this. Same goes for negative points — don’t simply tell readers you found a character unbelievable, reference a certain (non-spoiler) scene that backs this up.
• Provide the details. Don’t forget to weave the book’s information into the review: is this a debut author? Is this one installment of a series? What types of books has the author written before? What is their background? How many pages does the book have? Who published the book? What is the book’s price?
• Follow guidelines. Is the review you’re writing for Goodreads? For The New York Times ? The content and tone of your review will vary a good deal from publication to publication.
• Learn from others. One of the best ways to learn how to write a great review is to read other reviews! To help you out with that, we’ve published a post all about book review examples .

Writing book reviews can be a rewarding experience! As a book-lover yourself, it’s a great opportunity to help guide readers to their next favorite title. If you’re just getting started as a reviewer and could use a couple more tips and nudges in the right direction, check out our comprehensive blog post on how to become a book reviewer . And if you want to find out which review community is the right fit for you, we recommend taking this quick quiz:

Which review community should you join?

Find out which review community is best for your style. Takes 30 seconds!

Finally, if you feel you've nailed the basics of how to write a book review, we recommend you check out Reedsy Discovery , where you can review books for free and are guaranteed people will read them. To register as a book reviewer, simply go here !

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61 How to Write a Book Review

The following is an outline to help you prepare for and write your review. The review will include five paragraphs.

¶1 Introduction

The introduction paragraph provides basic information about the book and gives a sense of what your report will be about. Along with a standard essay introduction, include:

• Title and Author
• Publication information: publisher, year, number of pages
• Brief description of characters
• Brief plot summary (1-3 sentences)

Body Paragraphs

There are two main sections for this part. The first is an explanation of what the book is about (summary). The second contains your opinions about the book and how successful it is (evaluation).

For fiction or other creative writing:

• Provide brief descriptions of the setting, the point of view (who tells the story), the main character(s) and other major characters. If there is a distinct mood or tone, mention that as well, for example gloom and doom, joyful, calm, tense, mysterious, etc.
• Give a short, objective plot summary. Provide the major events and the book’s climax and resolution.

In this section you explore and question the book in two paragraphs. Write your own opinions, but be sure to explain and support them with examples from the book.

¶3—Illustration/Expository paragraph

Define or explain the main literary element/s in the book. Some questions you might want to consider: Were you most struck by character, such as development or use of character types? Was the use of setting most memorable to you? Do you feel that conflict drove the plot? Which of the elements of Literature you have studied was most pivotal in this book?

¶4—Persuasive paragraph

Express whether a reader should or shouldn’t read this book. Some questions you might want to consider:

• Did the author achieve his or her purpose? For example, if this is a mystery story, did you feel the mystery and tension?
• Is the writing effective, powerful, difficult, beautiful?
• What are the strengths and weaknesses of the book?
• What is your overall response to the book? Did you find it interesting, moving, dull?
• Would you recommend it to others? Why or why not?

¶5—Conclusion

Conclude by pulling your thoughts together into a standard conclusion paragraph. You may also want to say what impression the book left you with or highlight what you want your reader to know about it.

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The 10 Best Book Reviews of 2022

Merve emre on gerald murnane, casey cep on harry crews, maggie doherty on cormac mccarthy, and more.

Way back in the mid-aughts when I first started writing about books, pitching a print publication was the only reliable way for book critics to get paid, and third-person point of view was all the vogue. Much has changed in the years since: Newspaper and magazine book sections have shuttered, many digital outlets offer compensation when they can, and first-person criticism has become much more pervasive.

I don’t celebrate all these changes, but I’m certain of one thing in particular: I love book reviews and critical essays written in the first-person. Done well, they are generous invitations into the lives of critics—and into their memory palaces. With that in mind, most of my picks for the best book reviews of 2022 were written in the first person this year.

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

Adam Dalva on Stefan Zweig’s Chess Story , translated by Joel Rotenberg ( Los Angeles Review of Books )

Dalva’s review of Chess Story is a great example of the power of a first-person point of view—he doesn’t just examine the book, he narrates his own journey to understand it.

“In my own quest to understand Chess Story, I gradually realized that I would have to learn the game it centers on. And that has led me into a second obsession, much more problematic: I have fallen passionately in love with online bullet chess.”

Merve Emre on Gerald Murnane’s Last Letter to a Reader ( The New Yorker )

Merve Emre’s analysis of Gerald Murnane’s final book is a beautiful piece of writing. I love how she opens on a note of suspense, pulling you into a story you can’t stop reading.

“On most evenings this past spring, the man who lives across the street sat at his small desk, turned on the lamp, and began to write as the light faded. The white curtains in his room were seldom drawn. From where I sat, I had a clear view of him, and he, were he to look up from his writing, would have had a clear view of a house across the street, where a woman with dark hair and a faintly olive complexion was seated by a window, watching him write. At the moment he glanced up from his page, the woman supposed him to be contemplating the look, or perhaps the sound, of the sentence he had just written. The sentence was this: ‘Since then I have tried to avoid those rooms that grow steadily more crowded with works to explain away Time.’”

Minyoung Lee on Joseph Han’s Nuclear Family ( Chicago Review of Books )

Lee brings her own experience to bear in this insightful review of a novel about Korean Americans in the diaspora. (Disclosure: I founded the Chicago Review of Books in 2016, but stepped back from an editorial role in 2019.)

“In diaspora communities, it’s not uncommon to find cultural practices from the homeland, even after they’ve become unpopular or forgotten there. This is colloquially referred to as ‘the immigrant time capsule effect.’ It can be experienced in many of the ethnic enclaves in the U.S. My first impression of Los Angeles’ Koreatown when I visited in the 2010s, for example, was that it felt very much like Seoul in the 1980s. Grocery stores were even selling canned grape drinks that were popular when I was a child but that I haven’t seen since.”

Chelsea Leu on Thuận’s Chinatown , translated by Nguyen An Lý ( Astra )

Astra magazine’s “ bangers only ” editorial policy led to some spectacular reviews, like this Chelsea Leu number that opens with a fascinating linguistics lesson.

“It was in high school Latin that I learned that language could have moods, and that one of those moods was the subjunctive. We use the indicative mood for statements of fact, but the subjunctive (which barely exists in English anymore) expresses possibilities, wishes, hopes and fears: ‘I wouldn’t trust those Greeks bearing gifts if I were you.’ More recently, I’ve learned there exists a whole class of moods called irrealis moods, of which the subjunctive is merely one flavor. André Aciman’s recent essay collection, Homo Irrealis, is entirely dedicated to these moods, celebrating the fact that they express sentiments that fly in the face of settled reality.”

Casey Cep on Harry Crews’ A Childhood: The Biography of a Place ( The New Yorker )

Cep is a magician when it comes to capturing a sense of place, as evidenced by her book about Harper Lee, Furious Hours , and this review of a book about another Southern writer, Harry Crews.

“Dehairing a shoat is the sort of thing Crews knew all about, along with cooking possum, cleaning a rooster’s craw, making moonshine, trapping birds, tanning hides, and getting rid of screwworms. Although he lived until 2012, Crews and his books—sixteen novels, two essay collections, and a memoir—recall a bygone era. The best of what he wrote evokes W.P.A. guides or Foxfire books, full of gripping folklore and hardscrabble lives, stories from the back of beyond about a time when the world seemed black and white in all possible senses.”

Victoria Chang and Dean Rader on Roger Reeves’ Best Barbarian ( Los Angeles Review of Books )

Last year I professed my love for “reviews in dialogue” between two critics, and Chang and Rader continue to be masters of the form in this conversation about Roger Reeves’ second poetry collection.

“Victoria: Do you have thoughts on the flow of the poems or allusions? I have a feeling you will talk about the biblical references. But I’m most curious to hear what you have to say about the purpose of the allusions and references. Is the speaker agreeing with them, subverting them, both? Is the speaker using them as a way to press against or think against, or toward? I know you will say something smart and insightful.”

“Dean: That is a lot of pressure. I’ll try not to let you down.”

Maggie Doherty on Cormac McCarthy’s The Passenger and Stella Maris ( The New Republic )

I didn’t think anyone could persuade me to read another Cormac McCarthy novel after The Road, but Maggie Doherty makes every book sound fascinating by making it part of a bigger, true story.

“Such is the paradox of The Passenger , a novel at once highly attuned to the pleasures of collective life and resistant to the very idea of it. Unlike the violent, stylized books for which McCarthy is best known, this new novel is loose, warm, colloquial. It explores the sustaining, if impermanent, bonds formed among male friends. It’s full of theories and anecdotes, memories and stories, all voiced by some of the liveliest characters McCarthy has ever crafted. The Passenger is McCarthy’s first novel in over 15 years; its coda, S tella Maris , is published in December. Together, the books represent a new, perhaps final direction for McCarthy. The Passenger in particular is McCarthy’s most peopled novel, his most polyphonic—and it’s wonderfully entertaining, in a way that few of his previous books have been. It is also his loneliest novel yet.”

Allison Bulger on Vladimir Sorokin’s Telluria , translated by Max Lawton ( Words Without Borders )

I’m always interested in how critics find new ways to start a review, and Bulger’s opening lines here are a particularly sharp hook.

“Of all the jobs esteemed translator Larissa Volokhonsky has rejected, only one text was physically removed from her apartment on the Villa Poirier in Paris.

‘Take it back,’ she said. ‘Rid me of its presence.’

“The cursed title was Blue Lard (1999) by Vladimir Sorokin, known to some as Russia’s De Sade, and Volokhonsky’s revulsion was par for the course. It would be twenty years before another translator, Max Lawton, would provide eight Sorokin works unseen in the West, including Blue Lard , in which a clone of Khrushchev sodomizes a clone of Stalin.”

Summer Farah on Solmaz Sharif’s Customs ( Cleveland Review of Books )

Farah’s nuanced review of Solmaz Sharif’s new poetry collection further illustrates the potency of a first-person voice.

“Our poets write of our martyrs and resist alongside them; sometimes, I wonder, what life will be like after we are free, and what a truly free Palestine looks like. Last spring, the hashtag “#غرد_كأنها_حرة” circulated on Twitter, a collection of Palestinians imagining life as if our land was free; people imagined themselves moving from Akka to Ramallah with ease, returning to their homes their grandparents left in 1948, and traveling across the Levant without the obstacle of borders. This stanza acknowledges there is more work to be done than just ridding ourselves of the obvious systems that oppress us; decolonization and anti-imperial work are more holistic than we know. Sharif’s work is about attunement to the ways imperialism is ingrained into our lives, our speech, our poetry; this moment is direct in that acknowledgement.”

Nicole LeFebvre on Dorthe Nors’ A Line in the World ( On the Seawall )

LeFebvre opens this review like she’s writing a memoir or a personal essay—an unexpected joy that would be very hard to do in third-person.

“Each morning when I wake up, I hear the gentle crash and lull of waves on a beach. ‘Gather, scatter,’ as Dorthe Nors describes the sound. My eyes open and blink, adjusting to the dark. The sun’s not up yet. I scoot back into my partner’s body, kept asleep by the rhythmic thrum of the white noise machine, which covers the cars idling in the 7-Eleven parking lot, the motorcyclists showing off their scary-high speeds. For a few minutes, I accept the illusion of a calmer, quiet life. ‘Gather, scatter.’ A life by the sea.”

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The 13 Best Book Review Sites and Book Rating Sites

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Nobody likes to spend money on a new book only to face that overwhelming feeling of disappointment when it doesn't live up to your expectations. The solution is to check out a few book review sites before you hit the shops. The greater the diversity of opinions you can gather, the more confidence you can have that you'll enjoy the title.

Which book review and book rating sites are worth considering? Here are the best ones.

1. Goodreads

Goodreads is arguably the leading online community for book lovers. If you want some inspiration for which novel or biography to read next, this is the book review site to visit.

There's an endless number of user-generated reading lists to explore, and Goodreads itself publishes dozens of "best of" lists across a number of categories. You can do a book search by plot or subject , or join book discussions and reading groups with thousands of members.

You can participate in the community by adding your own rankings to books you've read and leaving reviews for other people to check out. Occasionally, there are even bonus events like question and answer sessions with authors.

2. LibraryThing

LibraryThing is the self-proclaimed largest book club in the world. It has more than 2.3 million members and is one of the best social networking platforms for book lovers .

With a free account, you can add up to 200 books to your library and share them with other users. But it's in the other areas where LibraryThing can claim to be one of the best book review sites.

Naturally, there are ratings, user reviews, and tags. But be sure to click on the Zeitgeist tab at the top of the page. It contains masses of information, including the top books by rating, by the number of reviews, by authors, and loads more.

3. Book Riot

Book Riot is a blog. It publishes listicles on dozens of different topics, many of which review the best books in a certain genre. To give you an idea, some recent articles include Keeping Hoping Alive: 11 Thrilling YA Survival Stories and The Best Historical Fiction Books You’ve Never Heard Of .

Of course, there's also plenty of non-reading list content. If you have a general affinity for literature, Book Riot is definitely worth adding to the list of websites you browse every day.

Bookish is a site that all members of book clubs should know about. It helps you prep for your next meeting with discussion guides, book quizzes, and book games. There are even food and drink suggestions, as well as playlist recommendations.

But the site is more than just book club meetings. It also offers lots of editorial content. That comes in the form of author interviews, opinion essays, book reviews and recommendations, reading challenges, and giveaways.

Be sure to look at the Must-Reads section of the site regularly to get the latest book reviews. Also, it goes without saying that the people behind Bookish are book lovers, too. To get a glimpse of what they’re reading, check out their Staff Reads articles.

5. Booklist

Booklist is a print magazine that also offers an online portal. Trusted experts from the American Library Association write all the book reviews.

You can see snippets of reviews for different books. However, to read them in full, you will need to subscribe. An annual plan for this book review site costs $184.95 per year.

6. Fantasy Book Review

Fantasy Book Review should be high on the list for anyone who is a fan of fantasy works. The book review site publishes reviews for both children's books and adults' books.

It has a section on the top fantasy books of all time and a continually updated list of must-read books for each year. You can also search through the recommended books by sub-genres such as Sword and Sorcery, Parallel Worlds, and Epic Fantasy.

7. LoveReading

LoveReading is one of the most popular book review sites in the UK, but American audiences will find it to be equally useful.

The site is divided into fiction and non-fiction works. In each area, it publishes weekly staff picks, books of the month, debuts of the month, ebooks of the month, audiobooks of the month, and the nationwide bestsellers. Each book on every list has a full review that you can read for free.

Make sure you also check out their Highlights tab to get book reviews for selected titles of the month. In Collections , you'll also find themed reading lists such as World War One Literature and Green Reads .

Kirkus has been involved in producing book reviews since the 1930s. This book review site looks at the week's bestselling books, and provides lengthy critiques for each one.

As you'd expect, you'll also find dozens of "best of" lists and individual book reviews across many categories and genres.

And while you're on the site, make sure you click on the Kirkus Prize section. You can look at all the past winners and finalists, complete with the accompanying reviews of their books.

Although Reddit is a social media site, you can use it to get book reviews of famous books, or almost any other book for that matter! Reddit has a Subreddit, r/books, that is dedicated to book reviews and reading lists.

The subreddit has weekly scheduled threads about a particular topic or genre. Anyone can then chip in with their opinions about which books are recommendable. Several new threads are published every day, with people discussing their latest discovery with an accompanying book rating or review.

You'll also discover a weekly recommendation thread. Recent threads have included subjects such as Favorite Books About Climate Science , Literature of Indigenous Peoples , and Books Set in the Desert . There’s also a weekly What are you Reading? discussion and frequent AMAs.

For more social media-like platforms, check out these must-have apps for book lovers .

10. YouTube

YouTube is not the type of place that immediately springs to mind when you think of the best book review sites online.

Nonetheless, there are several engaging YouTube channels that frequently offer opinions on books they've read. You’ll easily find book reviews of famous books here.

Some of the most notable book review YouTube channels include Better Than Food: Book Reviews , Little Book Owl , PolandBananasBooks , and Rincey Reads .

Amazon is probably one of your go-to site when you want to buy something. If you don’t mind used copies, it’s also one of the best websites to buy second-hand books .

Now, to get book reviews, just search and click on a title, then scroll down to see the ratings and what others who have bought the book are saying. It’s a quick way to have an overview of the book’s rating. If you spot the words Look Inside above the book cover, it means you get to preview the first few pages of the book, too!

Regardless of the praises or criticisms you have heard from other book review sites, reading a sample is the most direct way to help you gauge the content’s potential and see whether the author’s writing style suits your tastes.

12. StoryGraph

StoryGraph is another good book review site that's worth checking out. The book rating is determined by the site's large community of readers. Key in the title of a book you're interested in and click on it in StoryGraph's search results to have an overall view of its rating.

Each book review provides information on the moods and pacing of the story. It also indicates whether the tale is plot or character-driven, what readers feel about the extent of character development, how lovable the characters generally are, and the diversity of the cast.

13. London Review of Books

The London Review of Books is a magazine that covers a range of subjects such as culture, literature, and philosophy. Part of its content includes amazingly detailed book reviews. If you feel that most modern book reviews are too brief for your liking, the London Review of Books should suit you best.

You'll gain insight into the flow and themes of the story, as well as a more thorough picture of the events taking place in the book.

Read Book Reviews Before You Buy

The book review sites we've discussed will appeal to different types of readers. Some people will be more comfortable with the easy-to-interpret book rating systems; others will prefer extensive reviews written by experienced professionals.

Although it’s easy to be tempted by a gorgeous book cover, it’s always best to have a quick look at the book reviews before actually buying a copy. This way, you can save your money and spend it on the books that you’ll be proud to display on your shelves for a long time. And check out recommendations, as well, to help you find what's worth reading.

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10 books to add to your reading list in September

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Critic Bethanne Patrick recommends 10 promising titles — fiction and nonfiction — to consider for your September reading list.

September’s novels come from authors with big footprints and include literary fiction, crime fiction and commercial fiction about characters who leave their own big footprints. Some are beloved returning characters; others introduce new, complex voices. Nonfiction titles include memoirs, reportage and historical narrative, each book packed with passion and purpose. Happy reading!

Small Rain: A Novel By Garth Greenwell Farrar, Straus and Giroux: 320 pages, $28 (Sept. 3)

Greenwell’s previous work (his novel “What Belongs to You” and his stories in “Cleanness”) amply demonstrate his brilliance in writing about sex and desire, as well as his brilliance with language. Now he turns the latter toward writing about pain and dependence, in a stark and, yes, brilliant story of a 40-ish gay poet whose aortal tear forces him to confront not just his own mortality but also how he and his partner will move forward in their lives if he recovers.

Guide Me Home: A Novel By Attica Locke Mulholland Books: 320 pages, $29 (Sept. 3)

Texas Ranger Darren Matthews, in the first two Highway 57 novels, coped with East Texas racism and murder. In this third and final title of the trilogy, Matthews has retired early, hoping for a quiet life, when his chaotic mother appears and begs him to investigate a missing Black sorority girl. Unfortunately, even the slightest questions asked about that girl reveal corruption so ugly that Matthews has to rely on his mother for the truth to be found.

The Women Behind the Door: A Novel By Roddy Doyle Viking: 272 pages, $29 (Sept. 10)

Readers first encountered the addicted and abused Paula Spencer in Doyle’s 1996 “The Woman Who Walked Into Doors” and again in the 2006 “Paula Spencer.” They’ll be glad to find her, at 66 a widow and grandmother, content with her job, her boyfriend Joe and her children’s stable families. But when her oldest daughter, Nicola, comes to stay, planning to leave her husband and children, the two women must reckon with old, dark memories.

Tell Me Everything: A Novel By Elizabeth Strout Random House: 352 pages, $30 (Sept. 10)

Strout’s Amgash books, of which this is the fifth and final installment, began with “My Name Is Lucy Barton”; few of us could have predicted that narrator would wind up in Maine during the pandemic or that she’d be living with her ex-husband William. Here, as attorney Bob Burgess, Lucy’s dear friend, is accused of murder, she even winds up meeting Strout’s famous character Olive Kitteridge in the latter’s retirement community.

Entitlement: A Novel By Rumaan Alam Riverhead: 288 pages, $30 (Sept. 17)

Brooke Orr identifies as Black and follows the life trajectory laid out by her adoptive white mother, leading Orr to be in charge of an octogenarian billionaire’s charitable foundation. She finds herself flummoxed when an older Black woman rejects the foundation’s money. Alam never shirks uncomfortable scenes or questions, and here, he pits class against race against greed against freedom, and joy.

Best Copy Available: A True Crime Memoir By Jay Baron Nicorvo University of Georgia Press: 240 pages, $29 (Sept. 1)

Nicorvo was a loving family man who was also a published author (“The Standard Grand”) and college professor. But the long-ago violent crimes he and his single mother endured at the hands of men had affected them both. The past is murky, though: The scanned PDF of a photocopy of her report was stamped “best copy available.” This remarkably honest and sometimes humorous memoir shows how one family ended the cycle of abuse.

By the Fire We Carry: The Generations-Long Fight for Justice on Native Land By Rebecca Nagle Harper: 352 pages, $32 (Sept. 10)

Nagle belongs to the Cherokee Nation, and knowledge of her own heritage as well as that of the Five Tribes undergirds her fluid and comprehensive account of how U.S. policy has resulted in so much injustice to Native Americans. As she leads up to the 2020 Supreme Court ruling on Sharp vs. Murphy that granted the Muscogee Nation land in Oklahoma for resettlement, Nagle gives voice to frustrations Native people have experienced.

Over Work: Transforming the Daily Grind in the Quest for a Better Life By Brigid Schulte Henry Holt: 432 pages, $32 (Sept. 17)

The journalist who brought us 2014’s “Overwhelmed,” about our overcommitted lives, returns with a book specifically about what doesn’t work when it comes to the American way of employment. Schulte looks at the current picture and the mid-20th century backstory of how we got here and examines other cultures’ methods of work-life balance. Her conclusions offer no pat solutions, rather underscoring the need for change.

Third Ear: Reflections on the Art and Science of Listening By Elizabeth Rosner Counterpoint: 240 pages, $27 (Sept. 17)

Rosner’s parents, Holocaust survivors, spoke six languages at home, and as the young Rosner listened and learned, she realized that the soundscapes of our lives affect us at levels large and small. As an adult writer, she weaves together her own stories alongside interviews with experts of all kinds to demonstrate how deep listening can foster better communication and empathy, in a lively, perceptive book about how and what we hear.

Health & Safety: A Breakdown By Emily Witt Pantheon: 272 pages, $27 (Sept. 17)

Witt, a journalist whose first book, “Future Sex,” was a brave look into everything beyond monogamy, describes what happened when, in 2016, she chose to give up antidepressants and try psychedelic substances. Soon the author had joined the New York City dance-club scene, all while maintaining her regular work during the day. She — and our country — were heading for a breakdown, and with her characteristic honesty, Witt tells the story of both.

More to Read

The week’s bestselling books, Sept. 1

Aug. 28, 2024

10 books to add to your reading list in August

July 31, 2024

10 books to add to your reading list in July

July 3, 2024

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Picture This

'the dictionary story' is a kids' book that defies definition.

Samantha Balaban

Have you ever read a children's book where the main character is… the book?

Dictionary has noticed that even though her pages contain all the words that exist, she doesn’t really tell a story like all the other books on the shelf do. So one day, Dictionary decides to change that and bring her contents — guts? pages? definitions? — to life.

A hungry alligator bursts out of the pages ready for a snack — and finds a donut several pages later. But Donut doesn’t particularly want to be eaten, so he rolls off further into the alphabet. Alligator gives chase and the story soon goes off the rails — they crash into Queen who slips on Soap. And that’s all before Tornado shows up! Definitions go flying, no one is in the right place. Can Dictionary put herself back together again?

"It's a book about chaos. Chaos and order. Fine line," says Oliver Jeffers who — along with Sam Winston — wrote and illustrated The Dictionary Story. The two previously worked together on 2016’s A Child of Books (where the main character is a child, not a book). They’ve been working on The Dictionary Story pretty much ever since.

"But not working on it full time, seven years total" clarifies Oliver Jeffers. “Maybe if you were to add it all up, I don't know. I don't even want to think about that.”

(Sam Winston likes to joke that they knocked this one out in a week but he’s very much kidding — this book took work ).

For example, how do you make a book into a character that the children and adults reading the book can have a relationship with? "It was a real challenge because we had to literally make a book," explains Sam Winston. Luckily, his partner Haein Song is a bookbinder . "We had her literally make us two physical copies, which we then photographed and drew on and aged and then distressed in different ways." While the prop dictionary starts out all nice and new, by the end of the book she’s looking very beat up. "But it’s told a pretty wild story," says Winston.

Haein Song also sent Jeffers the paper that she used to bind the dummy book. "She sent enough of that to me that I was able to do the paintings on the same paper. So it looked seamless," Jeffers explains. Then he scanned the sheets of paper with his illustrations on them. The end result is a combination of photography, painting, ink handwriting, and typography, for the dictionary definitions.

Author Interviews

In this 'alphabet,' 'o' is for helpful owl and 'c' is for escapist cup.

"It looks like a real dictionary," says Jeffers. "But if you pay close attention, you'll see that all of the definitions have been rewritten." Like:

zero /ˈzɪərəʊ/ Zero is a word that means nothing . Nothing is a word that means nothing . Even though zero is a different word for nothing , both mean nothing . This definition has just told you nothing .

miracle /ˈ mɪr.ə.kl / Something that is amazing or magical for which there seems to be no scientific or common-sense explanation. Often associated with finding a parking space or getting homework done.

The definitions are not not true, but they are a little sideways.

The Dictionary Story Copyright © 2024 by Oliver Jeffers and Sam Winston hide caption

As the characters in the book — like puddle /ˈpʌd.əl/ A small pool of water. Puddles are often made by rain and they love to look up at the sky — come to life (and, in Puddle’s case, make friends with Ghost), they disrupt the text on the page. Puddle, who Cloud made by crying, soaks through the definition for "power." Alligator makes a hole in the "a"s as he escapes from inside the book. When Queen slips on Soap, some of the "s" words go tumbling off the page entirely. Letters end up out of order, or jumbled up in a pile. Definitions are in the wrong column. Sentences go all wonky.

"The idea behind the book is that you’ve got this very rigid structure," Sam Winston says, of a typical dictionary. "So where some of the humor and the playfulness and the fun comes from is that this is a book doing something it shouldn’t do." Essentially, coming alive.

And to circle back to why it took Winston and Jeffers so many years to make this book: there’s not much software designed to do this in the way they needed it to be done. "Imagine a column of type in a newspaper accidentally becoming a waterfall of type," says Winston. "Everything gets knocked off its grid and its axis and out that waterfall emerges, say, a crocodile."

From 'F-Bomb' To 'Photobomb,' How The Dictionary Keeps Up With English

You'll probably never see that in a newspaper — or a normal, boring dictionary — because that is not what publishing software typically does. "We have all of these typographic structures that are not meant to be bent and then to bend them is like cutting out thousands of single letters and then sticking them back on the page," Winston says.

There was a lot of back and forth to get to the finished product — a lot of half completing drawings and half writing definitions, and then a lot of destroying an illustration and or a definition and sending it back again.

"It's a dance," says Sam Winston. "But you know, we like it. There's a lot of trust in the room, so we have fun."

And, by the way, the story itself is fun. While a lot of thought and work and planning went into making it, at its heart The Dictionary Story is just a good old fashioned chase story with a lot of chaos and a heartwarming ending (can Dictionary put herself back together? Maybe with a little help from some friends!)

"I think what you're looking at when you see these books are two individuals who have a deep respect for storytelling and the physical objects of books. Having fun together and playing well together and sharing that with the world," agrees Oliver Jeffers. "It's a pure joy."

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Book Review: ‘Swallow the Ghost’ a promising but uneven exploration of memory in internet age

This cover image released by Mulholland shows “Swallow the Ghost” by Eugenie Montague. (Mulholland via AP)

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In many ways, Eugenie Montague’s “Swallow the Ghost” feels like three separate novels. That’s what makes her debut novel so imaginative — and also so frustrating.

The story’s center is Jane Murphy, who works at a New York social media startup on an internet novel that’s become a viral hit through social media posts where elaborate backstories about its characters are formed.

But Murphy’s story and a tragic event are told through three interlocking sections. The first focuses on Jane. The second focuses on Jesse, a former journalist working as an investigator for a law firm. The third focuses on Jeremy, the pretentious, Kafka-quoting novelist and sometimes boyfriend of Jane’s.

The writing style and genre shifts with each section, but Montague’s novel at its heart explores memory in the digital era. It’s a promising concept but feels uneven.

Montague’s novel is filled with beautiful prose that’s hard to forget, and poses intriguing questions about how someone is remembered. The interactions between Jesse and his mother, who he cares for and who has dementia, are some of the most simply heartbreaking moments in the novel.

But there are other portions of the novel that meander, especially the final section of the book that is framed as a transcript of a conversation with Jeremy at a bookstore event. The conversation reveals more about Jane and also about the questions the novel poses, but it also slows down the momentum of the prior section focused on Jesse and the mystery he was investigating.

Though the approach falls short at times, it’s an ambitious one that leaves readers much to think about and introduces Montague as an inventive new voice.

Find more AP book reviews at https://apnews.com/hub/book-reviews

What Book Should You Read Next?

Finding a book you’ll love can be daunting. Let us help.

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By The New York Times Books Staff

• Published April 16, 2023 Updated Aug. 9, 2024

Fiction | Nonfiction

For more recommendations, subscribe to our Read Like the Wind newsletter, check out our romance columnist’s favorite books of the year so far or visit our What to Read page.

At The New York Times Book Review, we write about thousands of books every year. Many of them are good. Some are even great. But we get that sometimes you just want to know, “What should I read that is good or great for me ? Well, here you go — a running list of some of the year’s best, most interesting, most talked-about books.

Give me a thrilling new take on an American masterpiece

James , by Percival Everett

In this reworking of the “Adventures of Huckleberry Finn,” Jim, the enslaved man who accompanies Huck down the Mississippi River, is the narrator, and he recounts the classic tale in a language that is his own and with surprising details that reveal a far more resourceful, cunning and powerful character than we knew.

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The 7 best books we read in august 2024, ranked and reviewed.

As the last official month of summer, you best believe we’re all about the beach reads. And, of course, other new and hot releases that fell into our laps this month.

From Reese’s Book Club picks to some from Rory Gilmore’s reading challenge (yes, it’s that time again), I’ve been on the lookout for unique titles and some of the most seasonal releases to rest and relax poolside.

As someone who has been avidly reading each day and producing monthly book roundups since January, this month’s selection was one of the most unique. Above all else, they are titles to consider — some of which are approved by the Amazon Books team.

RELATED : Best July books, ranked and reviewed

Ahead, find the best titles read this month, with review notes for each. While hardcover and paperback editions are nice, there’s nothing like listening with audible , so it’s worth signing up for a membership .

“Swiped” by L.M. Chilton

Goodreads rating : 3.56/5 stars

About the book : “Swiped” by L.M. Chilton is a gripping thriller about a woman’s search for her missing sister that unravels into a dark exploration of deception, obsession, and hidden agendas.

With a fun cover and an even more engaging plot, “Swiped” by L.M. Chilton is a novel that kept me on my toes. If you love books about relationship drama, you’ll love this one.

“This novel, described as if ‘Bridget Jones found herself in a Scream film’ is in fact more darkly hilarious than Bridget’s mishaps, which is to say it does for internet dating what Bridget did for husband-hunting–except with a lot more murder,” Vannessa Cronin, Amazon Books Editor, shared. “Half a dozen of them, to be exact. And a whole lot of red herrings, grimly funny disastrous date recaps, and a crashed ice cream truck.”

Buy on Hardcover | Buy on Kindle

“All the Summers in Between” by Brooke Lea Foster

Goodreads rating : 3.27/5 stars

About the book : “All the Summers in Between” by Brooke Lea Foster is a heartfelt novel about a woman confronting her past and rediscovering herself and her family while grappling with love, loss and the complexities of time.

Set in The Hamptons and filled with some classic-leaning flair, “All the Summers in Between” by Brooke Lea Foster is one of the best books of summer that makes you think.

“The Wedding People” by Alison Espach

Goodreads rating : 4.27/5 stars

About the book : “The Wedding People” by Alison Espach is a sharp, insightful novel that delves into the intricacies of relationships and personal growth through the lens of a couple navigating the highs and lows of wedding planning and its impact on their lives.

Trigger warning: mentions of suicide. Otherwise, “The Wedding People” by Alison Espach is a thoughtfully written and beautifully written novel unlike anything I’ve read before. Plus, its serene summertime setting is spectacular.

“This is one of the most candid, resonant, hilarious novels I’ve read about how chance encounters can lead to the most surprising outcomes,” Abby Abell, Amazon Books Editor, told the New York Post. “It takes a scalpel to the expectations we place on ourselves and celebrates how freeing it is to let them go.”

“A Novel Summer” by Jamie Brenner

Goodreads rating : 3.50/5 stars

About the book : “A Novel Summer” by Jamie Brenner is a captivating story about a woman who returns to her family’s beach house, where she confronts old secrets and discovers the power of love, family and self-reinvention.

Pleasant and fit for the lover of slow reads, the “A Novel Summer” by Jamie Brenner hails from one of my favorite authors and is sure to bring back all the nostalgia.

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“The Fiancé Dilemma” by Elena Armas

Goodreads rating : 3.79/5 stars

About the book : “The Fiancé Dilemma” by Elena Armas is a charming romantic comedy about a woman who, facing a family crisis, recruits a charming but reluctant fake fiancé, leading to unexpected romance and self-discovery.

From the author who brought us the top-rated “ The Spanish Love Deception ,” this rom-com is both magical, witty and will keep you on your toes. It was one of my favorite reads this month, at that.

Elena Armas deftly and delightfully delivers on some of my favorite romance tropes–fake engagement, slow burn, he falls first,” Abell noted. “It is sweet and sexy and so much fun. A perfect romance to close out the summer.”

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“Just One Taste” by Lizzy Dent

About the book : “Just One Taste” by Lizzy Dent is a delightful and witty novel about a woman who, after a string of personal and professional setbacks, embarks on a journey of self-discovery and culinary adventure while navigating complicated relationships and finding her own path.

If you’re a foodie and love vivid detail in writing, “Just One Taste” by Lizzy Dent is the book for you. You’ll fall in love with the characters, most of all.

“Deep Dish” by Mary Kay Andrews

Goodreads rating : 3.71/5 stars

About the book : “Deep Dish” by Mary Kay Andrews is a fun and engaging romantic comedy about a feisty chef and a charming food critic whose rivalry turns into unexpected romance as they navigate the competitive world of cooking shows and personal ambitions.

Fit for the foodie (again), “Deep Dish” by Mary Kay Andrews is a pleasurable read that’s filled with suspense, romance and a little bit of everything.

Other July Books to read, per the Amazon Books Editorial team

“there are rivers in the sky” by elif shafak.

Goodreads rating : 4.59/5 stars

About the book : “There Are Rivers in the Sky” by Elif Shafak is a reflective exploration of love, loss, and the intertwined fates of individuals set against a backdrop of cultural and spiritual landscapes.

“Spanning centuries and continents, this has everything I love in a big book — curious connections between characters, the hook of hope you harbor for each, and the satisfying (and extraordinary) way it all comes together,” Al Woodworth, Amazon Books Editor, said. “It’s perfect for fans of Anthony Doerr, Geraldine Brooks and Abraham Verghese.”

“By Any Other Name” by Jodi Piccoult

Goodreads rating : 4.17/5 stars

About the book : “By Any Other Name” by Jodi Piccoult” delves into the complexities of identity and self-acceptance through the story of a woman grappling with her cultural heritage and personal transformation.

“With intriguing, well-researched details, Picoult brings genuine depth — and love — to her characters and their narratives, playing with perception to make a point without overplaying her hand,” Seira Wilson, Amazon Books Editor, said. “This remarkable novel is an awakening, entertaining story to share.”

“House of Glass” by Sarah Pekkanen

Goodreads rating : 4.01/5 stars

About the book : “House of Glass” by Sarah Pekkanen is a gripping novel that delves into the secrets and lies within a seemingly perfect family as they unravel in the wake of a mysterious death.

“This is a tense, slow-burn of a thriller,” Cronin said. “If you enjoy the agony of rising suspense and second-guessing your own amateur sleuthing, this thriller delivers a chef’s kiss of shivers and secrets.”

“The Boys of Riverside: A Deaf Football Team and a Quest for Glory ” by Thomas Fuller

About the book : “The Boys of Riverside” by Thomas Fuller is a poignant exploration of the lives of young men in a small town, focusing on their struggles and aspirations as they navigate personal and societal challenges.

“When I read The Boys of Riverside, I was taken back in time to when I first saw ‘Remember the Titans’ at the cinema,” Ben Grange, Amazon Books Editor, said. “This is one of the best books I’ve read all year; ultimately, it’s an inspiring story that will speak to sports fans, deaf communities, allies and more.”

“We Burn Daylight” by Bret Anthony Johnston

Goodreads rating : 3.98/5 stars

“This novel is perfect for fans of Emma Cline’s ‘ The Girls ‘ and Chris Whitaker’s ‘ We Begin at the End ‘ and ‘ All the Colors of the Dark ,'” Cronin recommended. “‘We Burn Daylight’ is a page-turner that will make your stomach dip and roll with anticipation and fear for what happens to two young kids in 1993, who are inextricably linked to a cult leader who stockpiles weapons. This is a lightning bolt of a read that, once you finish, you’ll want to begin again to understand just how seamlessly Johnston links all the pieces together.” 

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